Tokyo X-Vario: For Serious Shooting Days

Leica X-VARIO at 30mm equiv. 1/250th sec F/4.1 @ ISO 400. Shot RAW, CS5 and cropped.

I was hanging out in Shinjuku West in the Yodobashi Camera electronics district when I saw these two guys sitting outside a Starbucks. Wow did they stand out. Not only were they foreigners in a sea of Asians, but they were dressed in white newsprint themed suits! I asked Wendell (left) and Leo (right) if I could take a quick shot of them and they agreed. Luckily I was already in RAW mode and didn't have to fiddle with white balance or worry too much about the exposure or contrast since I could adjust much of it in post production. That's the beauty of shooting RAW on a larger sensored camera.

Tokyo-X-Vario: Shooting at Night in Ginza

Leica X-Vario at 28mm equiv. 1/15th sec F/7.1 @ ISO 1600. Leaning camera against light pole.

I thought I would continue testing the X-Vario at night to prove that it is possible to get great shots without having an F/1.4 lens or image stabilization (optical or sensor based). We use these types of specs as tools, but sometimes we need more than tools to get great images. In fact, sometimes limits help us to come up with unique solutions, and often we create images we would never have done with cameras with more tricks and specs. 

I like the mood of artificial lights at night, and how the direction of light is also very different from natural daylight. However, to capture this type of lighting correctly, you have to shoot at the right shutter speed. I find that shooting at night at super-slow shutter speeds is great for creating a sense of  motion. 1/8 to 1/120th of a second is best for painting this motion , such as moving cars or people. How is this possible with the X-Vario?

Tokyo-X-Vario: Street Photography at 70mm

Leica X-VARIO. 1/1000th sec  f/6.4 @ ISO 1600. Shot at 70mm equiv

The X-Vario is a very powerful tool for street photography. Leica has chosen a reasonable focal range of 28 to 70 equiv, with 35mm and 50mm also labelled for convenience. I would say most Leica shooters are in the 35 to 50 range, but 70mm at F/6.4? Many like using telephoto lenses to create a shallow depth of field to isolate their subject, but there's more to a telephoto lens. I decided to give it a try and found it really useful for compressing images that have a background that progressively gets further away, such as buildings. Notice how the lens compresses the buildings, but at the same time, due to the small aperture, everything from the foreground to the background is in focus?

My First Day of Shooting in Tokyo: Finally!!

Ricoh GR Digital IV. 1/410th sec F2.2 @ ISO 320. Self Portrait.
Image of Leica X-Vario and Minolta CLE with 40mm F/2

I always carry all my cameras with me, but since I've been sick the past week and its been pretty cold here, I haven't had more than a few minutes here and there to take a few images. I've shot off a few personal images to family and friends, but no real serious shooting days. Today I escorted my wife to the local DAISO store and since she was going to be a while, I sneaked out and had my first real photo session. You have to be focused to shoot properly: manual focus, manual exposure, proper framing, perfect timing, etc. Walking with the wife carrying groceries and a hot tea in your hand is not conducive in getting great images. I finally had 30 minutes to get some serious shooting time in...I'll try and post the images tonight. My wife has dinner with a friend tonight so I think I'll be able to sneak off for 2 hours and get some night shots. Keep checking back for more images and happy shooting!

BHT

Tokyo-X-Vario: Shooting at Night Handheld

Leica X-Vario in AV mode. 1/20th sec F/6.4 @ ISO 800. Focal length at 70mm equiv

I've been in Tokyo for a week but I've only just started taking pictures with the Leica X-Vario. I was sick before I left Vancouver and I was sick when I landed, and I've been sick all week. I'm only now starting to feel a bit better so it's time to get shooting. The first thing I wanted to test was night shooting with the X-Vario. So many complain that with such a small aperture and no optical or sensor based image stabilization, shooting at night would be next to impossible. I didn't agree so I thought I would give it a try.

Tokyo-X-Vario: View Japan Through a Leica

Image taken with Ricoh GR-D IV. 1/42 sec F/1.9 @ ISO 400

It's always been a romantic concept of mine to wander the streets of Tokyo with a Leica. I know I'm not alone as there are a few 'foreigners' in Tokyo who have become quite well known in the photography blogosphere as Leica photographers. I've been back to Japan many times, and I've taken a variety of cameras over the years: Argus, Minolta, Fujifilm, Ricoh, Pentax, Canon, Panasonic; but never with a Leica. 

But why a Leica? I don't know why really. Is it perhaps because both the Leica brand and the Japanese culture seem to both be entrenched in tradition, but at the same time adapt to the present without forgetting their past? Is it the red dot? Is it because of that movie with Clint Eastwood? Who knows...

Project X: Leica, Tokyo, Pictures, November

Taken with Panasonic LX-3. 1/30th sec F2.8 @ ISO 400. Ikebukuro Shopping District, Tokyo.

I'm finally going to Tokyo! I've confirmed all my dates and appointments for my upcoming trip in November, and Leica Canada has generously offered to loan me a camera for the month while I'm there. Because of this, I thought it would be fun to do a special photo project on my blog with Leica. I won't say which camera I'm taking with me, but if you go to my Instagram account, you'll see which one it is.

Review: Leica M 240 with M-Rokkor Lenses

M240 with M-Rokkor 40mm F/2. 1/250th sec F/5.6 @ ISO 1600

Sometimes unforeseen circumstances forces unique solutions. My Leica rep graciously loaned me the new Leica M type 240 camera...but with no lens. I was hoping to get a modern, 6-bit, multi-coated, aspherical lens specifically designed to match the capabilities of the top-of-the-line Leica M body. No can do.The solution? I would use my long-term loaned Minolta CLE lens kit: M-Rokkor 28mm F/2.8, 40mm F/2 and 90mm F/4. 

By using these 30 year old lenses designed for film on this modern digital camera body felt a bit like putting 30 year old tires on a McLaren P1. Sure the tires will fit, but will it be able to optimize on the capabilities of this modern supercar, or will it hold it back? These made for film, made in Japan M-Rokkor lenses will easily fit onto the new Leica M240, but will we be able to see the true capabilities of this newly designed, CMOS sensored, full-frame body? Let's see... 

Upcoming Trip: Bigheadtaco Back in Tokyo!

Checking out apartments in Tokyo with my wife. Taken in 2010 with Panasonic LX-3. 1/320th sec F/2.8 @ ISO125 24mm wide equiv. Scene Mode: Pinhole

It's been a while since I've been in Tokyo. Between 2008 and 2010, I had been back to Japan 7 times: for vacation, for work, for family obligations. But since 2010, I haven't been back, again for different reasons and obligations. An opportunity has recently come up where I'll be 'stuck' in Tokyo for a few weeks, so I thought I would make the best of it. With my wife tagging along to keep an eye on me, I think I'll have a few moments a day to take pictures.

What cameras am I going to bring with me? I haven't decided yet, but I'm going to see if some of my contacts will loan me a camera for a month so I could do an in-depth review in Tokyo...my dream? Leica M Monochrom with a 28mm. Or how about a Fuji X-Pro 1 with the 14mm? Ricoh GR? I'll let you know once I figure out what I'm going to bring, or what I can borrow for the trip. One thing is for sure, I'm not dragging my DSLR kit. More on this point later. For now, let's just say I wanna travel light and compact. 

More information coming up in a few days. I'll be finished my Fuji X-20 vs Ricoh GRD4 soon, and also my Leica M Type 240 with Minolta M Rokkor lenses review. Keep checking back for more pictures and reviews. Thanks for viewing.

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Street Photography 101: How to Take Street Photos versus Stealing Photos

Fuji X-100S. 1/1300th sec F/4 @ ISO 800. Walking man in a hat and poster girl in a hat both giving me a glare. Subject out of focus due to wrong aperture setting. 

There are many ways street photographers can get great images. The romantic ideal is to walk around randomly and find the exact moment where subject and background come together serendipitously. This works about 10% of the time (or less), at least for me. Exact place, exact time, all by accident. Don't get me wrong, I still try and get these completely spontaneous shots all the time, and if I'm lucky, I'll get a couple after shooting all day. If I may suggest another way of getting a good shot, where one element is not by accident. I like to call the 'National Geographic' shot. NG photographers must get portraits of people within the context of their environment, as they merge the portrait with landscape or cityscape photography, very much like a street photographer. Once they arrive at their location, they immediately start scoping out great backdrops for their upcoming portraits. These types of images rarely happen by accident. What's the best way to get these types of images?